Solid Old Pigments: Blue 15

Solid Old Pigments: Blue 15The infamous Blue 15, the one that everybody is talking about, the one they want to take out of our arsenal, the one that was always around, since the beginning of the blues in tattoo ink, everybody loves the 15, here it is, in a heavy mixture with a tiny bit of white, ready to do the talking. The formula presented in these colors follows the tradition of what was available for tattooing many years ago, known as OLD PIGMENTS Solid wanted to offer a

The infamous Blue 15, the one that everybody is talking about, the one they want to take out of our arsenal, the one that was always around, since the beginning of the blues in tattoo ink, everybody loves the 15, here it is, in a heavy mixture with a tiny bit of white, ready to do the talking.

The formula presented in these colors follows the tradition of what was available for tattooing many years ago, known as OLD PIGMENTS - Solid wanted to offer a real set of traditional colors, that will be particularly appreciated by Old School tattooers.

Some raw pigments used nowadays in tattooing, like Oranges and Browns, tend to fade when exposed to the sun for many years, but these won't. Here they did not use any Orange, Magenta, Brown or Violet as a base, only what they like to call "OLD PIGMENTS".


They were able to achieve these tones using a different approach. For example when you see Brown, they are combining Red, Yellow, Green and Black. When it comes to Orange, Red and Yellow.

Solid Inks' "OLD PIGMENTS" are a combination of traditional methods and ingredients, and in some cases, mixed with pre-dispersed formulas. All colors are made of what they call powder pigments.

The selection of these powder pigments is based on decades ofexperience, and they have shown to be the most stable and durable over the years.

SOLID INK Stick to Tradition.