SKU: 18806138254

Sony A7C II Body Only (Black)

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Description

Sony A7C II Body Only (Black)The black Sony a7C II offers improved resolution, autofocus, in body image stabilization, and video capabilities in the same compact, all day, everyday form factor. The Sony a7C II's advanced imaging system is powered by a 33MP full frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10 bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter.

The black Sony a7C II offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor. The Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity.  Along with its powerful sensor and processor, the Sony a7C brings a strong suite of video features to everyday content creators and videographers. Full-frame 4K recording is possible with frame rates up to 30p, up to 60p in 4K with a Super35 crop, and full HD recording up to 120p, using full 1:1 pixel readout without binning. Slow & Quick (S&Q) mode allows shooters to capture 4K video at specified steps between 1-60 fps and Full HD between 1-120 fps, depending on the format. These settings will allow you to slow down action as well as speed up a slow-moving scene. S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights. User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus. This tracking can be custom-located within the frame and adjusted for speed and sensitivity, all at the touch of a finger. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. The AI Processing Unit also helps to achieve better exposure results in Auto mode with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in the video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters. The introduction of a front command dial puts an added level of control and speed at the tip of your forefinger and ensures that you won't be all thumbs at the moment of peak action. Built-in 802.11a/b/g/n/ac Wi-Fi allows communication on the 2.4 GHz and 5 GHz bands to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. The 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution, .70x magnification means for eye-level monitoring and sports and a dedicated 120 fps mode for smoother viewing when tracking moving subjects. A robust magnesium alloy body offers a durable profile and incorporates dust and moisture seals to protect against harsh environments.



Sony A7C II Specs

Imaging
Lens Mount
Sony E
Sensor Resolution
Actual: 34.1 Megapixel
Effective: 33 Megapixel
Image Sensor
35.9 x 23.9 mm (Full-Frame) CMOS
Crop Factor
1x
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Mechanical Focal Plane Shutter and Electronic Rolling Shutter 
Shutter Speed
Mechanical Shutter
1/4000 to 30 Seconds
Electronic Shutter
1/8000 to 30 Seconds
1/8000 to 1 Second in Movie Mode
Bulb/Time Mode
Bulb Mode
ISO Sensitivity Range
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 204,800)
100 to 12,800 in Auto Mode
Video
100 to 51,200 in Manual Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode
Metering Method
Evaluative
Exposure Modes
Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation
-5 to +5 EV (1/3, 1/2 EV Steps)
Metering Range
-3 to 20 EV
White Balance
2500 to 9900K
Presets: AWB, Cloudy, Daylight, Flash, Fluorescent, Manual, Overcast, Shade, Tungsten
Continuous Shooting
Up to 10 fps for up to 44 Frames (Raw) / 1000 Frames (JPEG)
Still Image Capture
Image Sizes
3:2
33 MP (7008 x 4672)
14 MP (4608 x 3072)
8.2 MP (3504 x 2336)
Aspect Ratio
3:2
Image File Format
HEIF, JPEG, Raw
Bit Depth
14-Bit
Video Capture
Internal Recording Modes
XAVC HS 4:2:2/4:2:0 10-Bit
3840 x 2160 at 23.98/50/59.94 fps [30 to 200 Mb/s]
XAVC S 4:2:2/4:2:0 8/10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [60 to 200 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps [16 to 100 Mb/s]
XAVC S-I 4:2:2 10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps [240 to 600 Mb/s]
1920 x 1080 at 23.98/25/29.97/50/59.94 fps [89 to 222 Mb/s]
External Recording Modes
4:2:2 8/10-Bit via HDMI
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps
HD (1920 x 1080p) at 23.98/50/59.94 fps
HD (1920 x 1080i) at 50/59.94 fps
Fast-/Slow-Motion Support
Yes
Gamma Curve
S Cinetone, Sony S-Log 3
Recording Limit
No
Broadcast Output
NTSC/PAL
IP Streaming
MJPEG, UVC/UAC
3840 x 2160 at 12.5p, 14.99p, 25p, 30p
1920 x 1080 at 25p, 30p, 50p, 60p
1280 x 720 at 25p, 30p
Built-In Microphone Type
Stereo
Audio Recording
2-Channel 16-Bit 48 kHz LPCM Audio
Interface
Media/Memory Card Slot
Single Slot: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x Micro-HDMI (Unspecified Signal) Output
Audio I/O
1 x 1/8" / 3.5 mm TRS Stereo Microphone Input on Camera Body
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output on Camera Body
Power I/O
1 x USB-C Input/Output
Other I/O
1 x USB-C Data Input/Output (Shared with Power Input)
Wireless
2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 4.2
Mobile App Compatible
Yes: Android & iOS
App Name: Creators' App
Functionality: Access Stored Files, Adjust Settings, Remote Control
Global Positioning (GPS, GLONASS, etc.)
GPS
Monitor
Display Size
3"
Resolution
1,036,800 Dot
Display Type
Tilting Touchscreen LCD
Viewfinder
Type
Built-in electronic (OLED)
Size
0.39"
Resolution
2,359,296 Dot
Eye Point
22 mm
Magnification
Approx. 0.7x
Diopter Adjustment
-4 to +3
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Photo
Contrast Detection, Phase Detection: 759
Video
Phase Detection: 627
Autofocus Sensitivity
-4 to +20 EV
Flash
Built-In Flash/Light
No
Maximum Sync Speed
1/160 Second
Flash Compensation
-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash System
TTL
External Flash Connection
Shoe Mount
Environmental
Operating Temperature
32 to 104°F / 0 to 40°C
General
Battery Type
1 x NP-FZ100 Rechargeable Lithium-Ion (Approx. 530 Shots)
Shoe Mount
1 x Intelligent Hot Shoe
Tripod Mounting Thread
1 x 1/4"-20 Female (Bottom)
Material of Construction
Magnesium Alloy
Dimensions (W x H x D)
4.9 x 2.8 x 2.5" / 124 x 71.1 x 63.4 mm
Weight
1.1 lb / 514 g


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    SKU: 18806138254

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    4.2 ★★★★★
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    L
    Verified Purchase
    L. W. Swint
    Lexington, US
    ★★★★★ 4
    One man's quest for vengeance
    Format: Hardcover
    "A long time ago in a galaxy far, far away..." It is the time of a falling empire, a time of betrayal and vengeance. This is the story of the last of the mysterious Imperial Guards of the Emperor Palpatine. It is the story of his quest to seek justice for the galactic ruler he served, and for his fellow comrades in arms, who gave their lives in that service. "Star Wars: The Crimson Empire Saga," tells the tale of Kir Kanos, the sole survivor of the scarlet clothed guardians of the Emperor, first shown in "Star Wars, Episode VI: Return of the Jedi." Over more than a decade of Dark Horse Comics publishing history, starting in 1997 to its long awaited conclusion in 2012, "Crimson Empire" reveals the history of these elite soldiers, "the best of the best," trained for one purpose: to serve the Emperor of "the first Galactic Empire." This 504 paged hardcover book collects the following stories: Star Wars: Crimson Empire #1-6 (1997) Star Wars: The Bounty Hunters (Kenix Kil) (1999) Star Wars: Crimson Empire II: Council of Blood #1-6 (1999) Star Wars: "Hard Currency" (Dark Horse Extra #21-24) (2000) Star Wars: Crimson Empire III: "The Third Time Pays for All" (Dark Horse Presents #1) (2011) (Note: The above is also the opening passage to Crimson Empire III #1) Star Wars: Crimson Empire III: Empire Lost #1-6 (2011) Star Wars Handbook Volume 2: Crimson Empire (1999) "The Crimson Empire Saga" begins with an ending; the final defeat of the Emperor Palpatine by his long-time foes, the Rebel Alliance, led by the legendary siblings, Luke Skywalker and Leia Organa Solo. But unbeknownst to those fighting to free the galaxy from Palpatine's tyranny, treachery also played a role in the Emperor's downfall. In a stunning turn of events it is revealed that one of those thought to be most loyal to Palpatine, a member of the Imperial Guard itself, betrayed his master in an attempt to seize power for himself. To insure the success of his treason, Carnor Jax also ordered the assassination of all the surviving Imperial Guard. But in his arrogance, the traitor underestimated the skill of the warriors he had trained with. Though faced with the overwhelming force of an army of stormtroopers sent to eliminate them on their training world Yinchorr, one Imperial Guard survived the massacre. Kir Kanos, the last of Emperor Palpatine's Imperial Guard lived on, to seek vengeance on Carnor Jax, and all those who had betrayed his Emperor. The core "Crimson Empire" trilogy is the creation of writers Mike Richardson and Randy Stradley, and artist Paul Gulacy, and they have produced an exciting adventure of Star Wars action, intrigue and emotion. The first "Crimson Empire" 6 issue comic mini-series was published in 1997, in the early years of what came to be called the "Star Wars Expanded Universe." The "EU" is an ongoing showcase for the continuing "adventures of Luke Skywalker" in novels, comics, computer games and more, as well as for other characters and worlds from the movie and now television saga envisioned by George Lucas. But the Expanded Universe also highlights original ideas based on characters and situations created by Mr. Lucas. "Crimson Empire" represents a prime example of talented imaginations thinking, 'what if we told a story about the red cloaked guards seen in "Return of the Jedi?"' In Kir Kanos, Richardson, Stradley, and Gulacy have created a classic Star Wars anti-hero/hero. Along with such Expanded Universe creations as Grand Admiral Thrawn, Mara Jade, Quinlan Vos, and Asajj Ventress, he is one of the most intriguing characters in the Star Wars Universe. Kanos is a highly trained warrior with a steadfast moral code, whose quest for vengeance anchors "The Crimson Empire Saga." It is this focus on the lead character's ultimate goal that is one of the achievements of the series. This dramatic strength, when adhered to, allows the comic creators to truly delve into their original characters and concepts without having to include or depend on the more famous Star Wars heroes and villains, although some appear in supporting roles. It is a testament to the makers' storytelling abilities that as the reader follows this tale of Kir Kanos' road to revenge, one becomes sympathetic to the character's cause to avenge the death of one of the most evil men who ever lived in any galaxy! A special highlight of "Crimson Empire" is the artistry of Paul Gulacy. Mr. Gulacy has a distinctive style in the sequential art medium; a clean precise vision that combines traditional comic book panel progression with simulated photographic technique. For example, Mr. Gulacy rarely uses motion lines in his comic art, except to depict the movement of a lightsaber, or in the case of Kir Kanos' preferred weapon, the force pike, a doubled-bladed long staff. This style gives Mr. Gulacy's work a heightened sense of realism. In the first "Crimson Empire" mini-series, Mr. Gulacy is inked by P. Craig Russell. In "Crimson Empire II: Council of Blood," he is embellished by Randy Emberlin. "Crimson Empire III: Empire Lost" saves the best for last as Mr. Gulacy produced full pencil and ink artwork for the third mini-series. He was always his best inker. This "Crimson Empire" collection also offers the reader the opportunity to see the evolution and advancement of comic coloring from 1997 through to 2012, the year of this special compendium's release. Dave Stewart created the color art for Mr. Gulacy's pencil work on the first two installments of the prime comic trilogy and the results display a marked improvement over the flat colors long produced in comics of the past. But with "Crimson Empire III," the most recent part of the saga, the color rendering of Michael Bartolo shows an even more nuanced use of tone and hue over Mr. Gulacy's art. Thanks in no small part to the computer age, comic coloring has come a long way from the days of newsprint. Another highlight of "The Crimson Empire Saga" is the inclusion of two addition stories within the thick hardcover. "How the Mighty have Fallen" is a tale written by Randy Stradley, and illustrated by Javier Saltares and Christopher Ivy. Published in 1999 as part of the Star Wars: The Bounty Hunters comic series, it relates how Kir Kanos created the secret bounty hunter identity Kenix Kil,to better hide from members of the fallen Galactic Empire that were hunting for him across the stars. The second adventure, the short story, "Hard Currency," was published in Dark Horse Extra, a newspaper-like fanzine released from 1998-2002, and features Kenix Kil teaching an enemy the cost of betrayal. It was scripted by Mr. Stradley, and drawn by Isaac Buckminster Owens. There is a great deal to enjoy in this "Crimson Empire" collection but it is not without flaws. While the premiere "Crimson Empire" mini-series succeeds in being an enthralling adventure on every level, "Crimson Empire II: Council of Blood" sometimes suffers from a story that concentrates too much on subterfuge and political power-plays; so much so that the series' starring character, Kir Kanos, seems rather to be a supporting player in his own story. The long-awaited third part in the "Crimson Empire" trilogy, "Empire Lost," improves on the faults of its predecessor but still has a sometimes convoluted plotline. Another flaw in the multi-part saga is the character arc of Mirith Sinn, the brave and beautiful Rebel Alliance commander who plays a major part in most of Kir Kanos' exploits. The series writers, Mr. Richardson and Mr. Stradley, showcase the evolution of the relationship between these two driven individuals, a relationship that has an undeniable chemistry. Mirith and Kir Kanos share a bond, a bond that is complicated by violent loss. But the complexities of their relationship are sometimes handled in conflicting ways from story to story, resulting in confusion for the reader in understanding the otherwise strong character of Mirith Sinn. Still another flaw in this collection is the editorial decision not to include all the striking covers painted by artist Dave Dorman for the 18 individual comics in the "Crimson Empire" trilogy of mini-series. While it is gratifying to see 6 of Mr. Dorman's contributions to the saga, notably his special wrap-around cover painting to the first "Crimson Empire" trade paperback reprint volume, as well as the "Crimson Empire Handbook" cover, this reviewer regrets the omission of the artist's 13 other paintings. Nor was the sole "variant" cover to "Crimson Empire III" number 1, drawn by Mr. Gulacy included, and it was the only cover he created for the entire series. It is doubly disappointing when the collection showcases Mr. Dorman's cover to that same comic issue twice in the book! This reviewer would have also been appreciative of a written introduction or history of the creation of the "Crimson Empire" series; and a feature that explained the long wait of 13 years before the concluding chapter in the trilogy was finally released for fans of the saga to enjoy. These editorial choices could have then given this hardcover collection the more appropriate title, "The Complete Crimson Empire Saga." Despite the above shortcomings, this is a very special Star Wars comic collection. From one Star Wars fan to any who read this review, I highly recommend you put on some of John Williams' immortal Star Wars music, sit back, open this hardcover and let yourself be taken away to that "galaxy far, far away" we love so much!
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on September 18, 2012
    J
    Verified Purchase
    Jonathan Miller
    Whiting, US
    ★★★★★ 5
    One of the best Star Wars comic series of all time.
    Format: Kindle
    Crimson Empire was the first Star Wars comic that I read. Stories like these are what kept Star Wars alive and fresh during the nearly 20 years between films. I love the stories about those minor characters that you see in the films. When you saw the Crimson Guard with the Emperor for the first time, you knew there was something fascinating about these guardians of the most powerful being in the universe. This story delves into some of those characters. The art is fantastic, sort of that stylized 90's colorful art. Awesome battle scenes. It really captures the imagination. Great story, give it a try. I highly recommend getting a paper copy of this trade.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on August 10, 2015
    S
    Verified Purchase
    steven
    Belleville, US
    ★★★★★ 5
    Top Notch!
    Format: Hardcover
    A lot of the time when your reading SW books your imagination doesn't quite fill in the gaps that the author leaves. A lot of SW books have little to no detail because they are movie or game based. This is where the top notch illiustrations took this story line to a whole new level! Richardson does a great job on developping the main character. I was very impressed with the quality of the story and blown away with the illustrations. Great read for all!
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on September 23, 2013
    D
    Verified Purchase
    Darth Caedus
    New York, US
    ★★★★★ 5
    Great saga!
    Format: Kindle
    I love this series! It is beautifully painted, has good dialogue, and has a very compelling narrative. I cannot help but like the protagonist, Kir Kanos. He is brave, unselfish, noble, determined, and deadly. Even if his primary goal is to exact vengeance for the killing of the truly evil Palpatine, I cannot help but cheer for him. This is truly a compelling read that refuses to be put down.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on October 21, 2016
    N
    Verified Purchase
    Nikki J. Shefflette
    Massapequa, US
    ★★★★★ 3
    Just an OK read
    Format: Kindle
    I was not aware when I purchased this that it was a Graphic Novel, I really wish that in the blurb about these products it was made very clear that you are buying a Graphic Novel. I like reading, not viewing the written word. Since I got this via Kindle there was no shipping issues. Maybe the Graphic Novels should have their own category, so that we don't end up with things we don't want.
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    Reviewed in the United States on July 25, 2015

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