H.G Kente Royal collection HGC151
SKU: 61428409983

H.G Kente Royal collection HGC151

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Description

H.G Kente Royal collection HGC151H. G Kente collection is extra special Kente thread and weaving done to bring the best quality Kente that specializes in many unique styles that are not found anywhere else. These style are mostly customized from the minds of Ghana's top designer's and are a mixture of centuries old styles mixed with a modern edge to them. MG HG imbedded into secluded area with a precious stone underneath along with a signed certificate by our CEO for proof of

H.G Kente collection is extra special Kente thread and weaving done to bring the best quality Kente that specializes in many unique styles that are not found anywhere else. These style are mostly customized from the minds of Ghana's top designer's and are a mixture of centuries old styles mixed with a modern edge to them.

MG HG imbedded into secluded area with a precious stone underneath along with a signed certificate by our CEO for proof of authenticity.

Beautifully gift warped and added MG shopping bag comes with shipping.

This high-end brand is exclusive to our Prestigious client base. 

Materials hand woven are: Cotton, Rayon.

This catalog includes patterns in the following: 

Name of Pattern

Literal Meaning

Symbolism

Interpretation/Brief History

Obi nkye obi kwan mu si

To err is human.

Forgiveness, conciliation, tolerance, patience, fairness

Sooner or later, one will stray into another’s path. To err is human, thus we must seek conciliation when offended, as we may be the ones asking forgiveness tomorrow.

Oyokoman na gya da mu

Crisis in the Oyoko nation.

Warning against internal conflict and strife, need for unity in diversity,  reconciliation

Commemorative of the civil war, subsequent to the death of Osei Tutu, between two factions of Oyoko royalty.

Sika fre mogya

Money attracts blood relations.

Familial relationship, responsibility, sharing, hard work

Wealth strengthens family bonds. And when one succeeds, one is obliged to share this success with loved ones.

Awia repue

Rising sun.

Progress, renewal, development, warmth, vitality, energy

The Progress Party that ruled Ghana between 1969 and 1972 used this symbol as its party logo.

Nsoromma

Stars.

Hope, high expectation, dependence on God, power of the people

The state belongs not to the king but to the people. The stars depict the people, while the moon is the king. Kings come and go, but the people remain.

Achimota nsafoa

Achimota keys.

Knowledge, harmony, unity in diversity

Commemorative of the Achimota School and College founded in 1927. It represents the school’s logo – the black and white keys of a piano. One can make melody on either set of keys, but one can only create harmony by playing the white and black keys together.

Akokobaatan

Mother hen.

Motherliness, tenderness, parental care and discipline

When the hen steps on the feet of her chicks, she does not mean to kill them. Parental admonition is not intended to harm, but to correct the child. The good parent feeds the children not only with food, but with love, warmth, care and tender affection.

Adwinasa

All motifs are used up.

Royalty, elegance, creativity, ingenuity, wealth, excellence, perfection, superior craftsmanship

The elders say that the original designer of this cloth, in an attempt to impress the Asantehene, decided to weave a unique cloth. In doing so, he made use of all motifs known to weavers at the time and then remarked that he had exhausted the then repertoire. The resulting cloth became one of the most prestigious of kente cloths.

Obaakofo mmu man

One person does not rule a nation.

Participatory democracy, warning against autocratic rule

Expressive of the Akan governing system based on participatory democracy. The nine squares represent “mpuankron” (nine tufts of hair), the ceremonial haircut of royal functionaries who helped rulers make decisions.

Sika futoro

Gold dust.

Royalty, wealth, elegance, honorable achievement, spiritual purity

Long before coins and paper notes, gold dust was used as a medium of exchange among the Akan people, and thus symbolized wealth and prosperity. The predominance of intricate patterns in yellow, orange and red visually depicts gold dust.

Abusua ye dom

 

The extended family is a force.

Strong family bonds, the value of family unity, cooperation, collective work and responsibility,

The extended family is the foundation of Akan society. Family members are collectively responsible for the material and spiritual well-being and protection of every member.

Emaa da

It has not happened before. It has no precedent.

Innovation, uniqueness, perfection, creativity, ingenuity, exceptional achievement

An Ashanti king of old is said to have been so awed by the uniqueness of this pattern that he exclaimed, “Eyi de emaa da,” meaning “This one has no precedent,” and it was thus reserved for his exclusive use.

Toku kra toma

Toku’s soul cloth.

Courageous leadership, heroism, self-sacrifice, spiritual vitality, rebirth

Commemorative of the soul of a warrior queen mother, named Toku, who, though defeated and executed in battle, was greatly revered and remembered for her bravery.

Wofro dua pa a na yepia wo

One who climbs a tree worth climbing earns the help of others.

Aspiration, hope, mutual benefit, sharing, nobility

When one attempts to climb a fruitful tree, he will be pushed up by others as they are assured of enjoying the fruits of his labor. Expressive of the Akan social belief that a worthy individual effort is deserving of communal support, a notion that reinforces the importance of aspiring towards a worthy cause.

Kyerekwie

The lion-catcher.

Courage, valor, exceptional achievement, inspiring leadership

Commemorative the reign of King Kwaku Dua (1838-1867) who tested the courage of his warriors by ordering them to catch a leopard alive.

Akyempem

Thousands of shields.

Military prowess, strength, bravery, political vigilance, spiritual defense

Referential to the shields used by well-organized armies of thousands of men and women who defended the Ashanti Kingdom with their lives.

Nyankonton

God’s eyebrow (the rainbow).

Beauty, grace, divine creativity, uniqueness, good omen

Created in adoration of the beauty and mystery of rainbows. The arrangement of the yarns mimics the visual representation of a rainbow.

 It's Common For Females To Use 6 Yards For Sewing Gowns, Dresses, Etc. Males commonly use 8 to 10 Yards and Overly Sized Men can have the Option of 12 Yards. And Children are Typically 4 Yards. Babies and Accessories Typically 2 Yards.

Female are sold in 3 Pieces

Male are Sold in 1 Piece 

Made In Kumasi GHANA 

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SKU: 61428409983

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Steven A. Breedlove
Natrona Heights, US
★★★★★ 5
Eye-Opening and Heart-Expanding
Format: Paperback
I am incredibly grateful for this book. It gave me profound insight into essential truths of Christian faith and doctrine by allowing me to see them through a radically different lens than my internal lens. Plus, it opened me up enormously to the experience of black Americans who express the pain and challenge of life in our country thoughtfully and provocatively. I left this reading chastened, desiring more conversation, moved to listen better, and hoping to live differently.
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Reviewed in the United States on December 9, 2023
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Bruce Hillyer
Port Orchard, US
★★★★★ 5
Best book I've read in last 10 years!
Format: Paperback
I'm absolutely blown away. I finished the book this morning. I have been recommending it to anyone and everyone who asks me "So, what you reading?". I'm known for having a book stack a mile high. I ran out of my first yellow highlighter! Profound stuff. The subtitle, How African American Literature Can Make Our Faith More Whole and Just, doesn't do the book justice. It is soooo much more. I highly recommend!
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Reviewed in the United States on March 28, 2023
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J. Brooke Chao
Alexandria, US
★★★★★ 5
A must read
Format: Paperback
This is an amazing book! The author takes the reader through several works of black literature, expounding on how each work shows us deep things about theology and faith.
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Reviewed in the United States on December 3, 2025
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jdmangrum
Carnegie, US
★★★★★ 5
Countee Cullen chapter
Format: Paperback
This book is a great read. I’m not even sure how to encapsulate my thoughts on it, but let me say the chapter, “Jesus,” on the poetry of Countee Cullen is brilliant and a masterclass on discipleship, suffering, identity, projecting onto Jesus. This one chapter could literally be a course in Christian discipleship handling multiple aspects of the life of faith. I feel like I’m not doing the chapter, the book, or Claude Atcho justice here, but I deeply recommend this book and urge readers to really sit with the Cullen chapter and all its implications. What a gift Claude Atcho has given us here!
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Reviewed in the United States on January 21, 2025
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Erin Straza
Los Angeles, US
★★★★★ 5
An exceptional, stunningly beautiful, and greatly needed book
Format: Paperback
Have you ever finished a book so heavy with truth and beauty and goodness that you don’t know how to sum it up? That’s where I am upon completing Claude Atcho’s Reading Black Books: How African American Literature Can Make Our Faith More Whole and Just. I’m the sort who marks up books with notes, underlining, and asterisks. Pages with ideas I want to return to get a folded corner. For this book? More pages are folded than not and a flip through the book reveals copious amounts of fuchsia markings. Full disclosure: Claude is a writer friend; we’ve chatted about faith, books, work, writing, and podcasting. I’ve been eagerly awaiting the release of his book, knowing it would be fantastic. You might think I was biased in that assumption, considering our previous connection, considering I received an ARC from Brazos Press. What I found from the first pages was even more than expected: my friend as pastor, shepherd, prophet, counselor, guide. Claude features 10 key creative African American works to cast a vision for human flourishing rooted in the power and love of God found in Jesus Christ. Just listen to this moving excerpt: “Healing is found in the constant individual and communal turn toward the tender mercies of God, who calls us to a theological remembrance: to locate our history in his, to make sense of our memory in his memory, to process our wounds in his wounds” (126). This book is beautifully written, theologically robust, and desperately needed. I cannot recommend this book highly enough. It is stunning.
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Reviewed in the United States on May 17, 2022

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