SKU: 88730690589

Namiki Yukari Maki-e Fountain Pen - Double Crane

Sale price$990.00 Regular price$1100.00
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Description

Namiki Yukari Maki-e Fountain Pen - Double CraneTwo cranes rise against a deep, lustrous field of black urushi, rendered with quiet grace by Namiki maki e artists. The Namiki Yukari Maki e Fountain Pen Double Crane brings together time honored lacquerwork and everyday reliability, offering a refined writing instrument whose elegance reveals itself in layers of light, detail, and texture. Craftsmanship & Design Built on the acclaimed Yukari platform, the pen begins with an ebonite body finished in

Two cranes rise against a deep, lustrous field of black urushi, rendered with quiet grace by Namiki maki-e artists. The Namiki Yukari Maki-e Fountain Pen - Double Crane brings together time-honored lacquerwork and everyday reliability, offering a refined writing instrument whose elegance reveals itself in layers of light, detail, and texture.

Craftsmanship & Design

Built on the acclaimed Yukari platform, the pen begins with an ebonite body finished in multiple coats of Japanese urushi lacquer. Traditional maki-e techniques are then used to depict the paired cranes, with precious metal powders and fine linework creating depth, movement, and a subtle play of sheen as the pen turns in the hand. The imagery flows across cap and barrel with balanced proportions characteristic of the Yukari size, complemented by warm metal appointments and a classic clip.

Each piece reflects the hand of its maker, and the scene rewards close study: delicate feathering, nuanced shading, and crisp contours lend the cranes a serene presence often associated with auspicious celebrations in Japan. The result is an object that lives comfortably between art and daily utility.

Writing Experience

An 18k gold medium nib provides a smooth, confident line with gentle responsiveness. Ink delivery is consistent and controlled, suited to journaling, correspondence, and note-taking alike. The cartridge-converter system offers the convenience of Pilot-Namiki proprietary cartridges along with the option to use bottled inks via converter, making this Yukari a capable companion for both desk and travel.

The pen threads securely with a screw-cap closure, and the Yukari format sits naturally in the hand, offering a composed balance that highlights the nib's quiet precision rather than calling attention to itself.

Symbolism & Heritage

In Japanese culture, cranes are emblems of longevity, loyalty, and harmony. A pair, as shown here, often signifies auspicious union and enduring fortune. Namiki, the artisanal arm of Pilot established in the early 20th century, helped bring the language of urushi and maki-e to modern writing instruments; today, its studio artisans continue that lineage, hand-finishing each piece in Japan with the same care that has defined the brand for generations.

Technical Specifications

  • Brand: Namiki by Pilot
  • Collection: Yukari Maki-e
  • Design: Double Crane
  • Nib: 18k solid gold, Medium (M)
  • Filling system: Pilot-Namiki proprietary cartridge or converter
  • Body material: Ebonite with urushi lacquer and maki-e decoration
  • Cap: Screw-cap
  • Trim: Gold-tone appointments
  • Origin: Handcrafted in Japan
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 88730690589

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4.3 ★★★★★
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Product Reviews
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Verified Purchase
Wilbur F. Pierce
Los Angeles, US
★★★★★ 5
An Excellent Choice
Format: Paperback
Excellent introduction, notes and translation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 8, 2017
D
Verified Purchase
David Lemberg
San Leandro, US
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2015
J
Jordan Bell
Massapequa, US
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans' , and then read Waterfield's translation of the Timaeus . Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with. The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2015
S
Steve Lookner
New York, US
★★★★★ 4
Helpful, but Waterfield is better for an intro
Format: Paperback
This is basically a scholarly paragraph-by-paragraph commentary on the Timaeus. It's really good for what it is, but I don't recommend it as your first introduction to the Timaeus -- rather, I recommend Waterfield: http://www.amazon.com/Timaeus-Critias-Oxford-Worlds-Classics-ebook/dp/B006NTMD16 A problem with using Cornford as an introduction is that he comments on everything, and it's hard to figure out what the main themes are. I tried reading Cornford as an intro and gave it up, but once I'd read Waterfield I found Cornford extremely helpful both in elucidating passages further than Waterfield does, and in interpreting passages Waterfield doesn't cover. So if you're looking to learn about the Timaeus, I'd suggest Waterfield first and Cornford second (or Cornford alongside Waterfield).
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Reviewed in the United States on February 24, 2014
B
Brian Chrzastek
Lowell, US
★★★★★ 5
Cornford's running commentary is arguably the best suited to fulfill this desire
Readers of any of Plato's works are bound to feel they might profit from various commentaries. His Timaeus, in particular, may be said to elicit such a hope because of number and intricacy of its details. Cornford's running commentary is arguably the best suited to fulfill this desire: it helps make clear the integrity of the dialogue as a whole and illumines the specific points along the way. Although this work is certainly dated, originally published in 1937, it is certainly one of the best full commentaries on the Timaeus.
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Reviewed in the United States on November 4, 2014

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