SKU: 83510194693

Damesjurk met lange mouwen en glinstering

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Description

Damesjurk met lange mouwen en glinsteringMaattabel KENMERKEN ELEGANTE HALS Creert een zachte, sierlijke drapering die uw gezicht en decollet prachtig omlijst en een vleugje klassieke elegantie aan uw silhouet toevoegt, zonder al te veel te onthullen of te beperkend te zijn. SUBTILE EN GLINSTERENDE VERFRAAIING Delicate strassdetails zijn verspreid over de stof en vangen het licht op om een vleugje glans en verfijnde glamour toe te voegen, waardoor de jurk van eenvoudige elegantie wordt

Maattabel

KENMERKEN

ELEGANTE HALS - Creëert een zachte, sierlijke drapering die uw gezicht en decolleté prachtig omlijst en een vleugje klassieke elegantie aan uw silhouet toevoegt, zonder al te veel te onthullen of te beperkend te zijn.

SUBTILE EN GLINSTERENDE VERFRAAIING - Delicate strassdetails zijn verspreid over de stof en vangen het licht op om een vleugje glans en verfijnde glamour toe te voegen, waardoor de jurk van eenvoudige elegantie wordt omgetoverd tot een waar wonder.

FLATTEREND SILHOUET - Benadrukt subtiel uw rondingen voor een slank en langgerekt profiel. Deze klassieke snit benadrukt uw natuurlijke silhouet en zorgt voor een comfortabele, ongelooflijk chique en verfijnde look voor alle gelegenheden.

LUXE STOF - Voelt zacht en aangenaam aan en geeft u direct een glamoureuze uitstraling, waardoor u zich met tijdloze elegantie onderscheidt tijdens elke formele of feestelijke gelegenheid.

VEELZIJDIG ONTWERP TOT AAN DE KNIEËN - Biedt een perfect evenwicht tussen bescheidenheid en moderniteit, waardoor het geschikt is voor een breed scala aan evenementen, van cocktailparty's en bruiloften tot chique diners en vakantiebijeenkomsten.

SPEC

Materiaal: Mix

Kleur: Bordeauxrood

Beschikbare maten: S-3XL

Het pakket bevat: 1* Sparkle-jurk met lange mouwen voor dames

OPMERKINGEN

De kleur kan afwijken van de werkelijkheid vanwege verschillen tussen computerscherm.

Omdat de maten handmatig zijn gemeten, kan er een kleine afwijking zijn; zorg ervoor dat u hiermee akkoord gaat voordat u tot aankoop overgaat.

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SKU: 83510194693

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4.3 ★★★★★
Based on 434 reviews
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Verified Purchase
Wilbur F. Pierce
Massapequa, US
★★★★★ 5
An Excellent Choice
Format: Paperback
Excellent introduction, notes and translation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 8, 2017
D
Verified Purchase
David Lemberg
Massapequa, US
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2015
J
Jordan Bell
Charlottesville, US
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans' , and then read Waterfield's translation of the Timaeus . Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with. The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2015
S
Steve Lookner
Bozeman, US
★★★★★ 4
Helpful, but Waterfield is better for an intro
Format: Paperback
This is basically a scholarly paragraph-by-paragraph commentary on the Timaeus. It's really good for what it is, but I don't recommend it as your first introduction to the Timaeus -- rather, I recommend Waterfield: http://www.amazon.com/Timaeus-Critias-Oxford-Worlds-Classics-ebook/dp/B006NTMD16 A problem with using Cornford as an introduction is that he comments on everything, and it's hard to figure out what the main themes are. I tried reading Cornford as an intro and gave it up, but once I'd read Waterfield I found Cornford extremely helpful both in elucidating passages further than Waterfield does, and in interpreting passages Waterfield doesn't cover. So if you're looking to learn about the Timaeus, I'd suggest Waterfield first and Cornford second (or Cornford alongside Waterfield).
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Reviewed in the United States on February 24, 2014
B
Brian Chrzastek
Houston, US
★★★★★ 5
Cornford's running commentary is arguably the best suited to fulfill this desire
Readers of any of Plato's works are bound to feel they might profit from various commentaries. His Timaeus, in particular, may be said to elicit such a hope because of number and intricacy of its details. Cornford's running commentary is arguably the best suited to fulfill this desire: it helps make clear the integrity of the dialogue as a whole and illumines the specific points along the way. Although this work is certainly dated, originally published in 1937, it is certainly one of the best full commentaries on the Timaeus.
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Reviewed in the United States on November 4, 2014

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